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JazzTimes 10: Essential Dizzy Gillespie Recordings

Must-hear music by a bebop and Latin-jazz visionary

He loved the nickname “Dizzy,” and he did everything he could to live up to it. The hyperactive stage antics, the puffed cheeks, the distinctive bent trumpet—it all fed into his persona as a showman. Yet John Birks Gillespie was anything but dizzy. He was the brain trust of the bebop revolution: Charlie Parker and Thelonious Monk were his creative equals (and may have been the only ones), but it was Gillespie who intellectualized the music, codified it, and became its emissary to the world.

It wasn’t his only direction. Gillespie is equally important in the birth of Latin jazz, and he did his best to push forward from there and to keep a creative edge right up to his passing in 1993. Here are 10 artifacts from that journey.

9. Dizzy Gillespie: “Hurry Home” (Dizzy Gillespie’s Big 4; Pablo, 1975)

9. Dizzy Gillespie: “Hurry Home” (<i>Dizzy Gillespie’s Big 4</i>; Pablo, 1975)
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So far, this JazzTimes 10 has been noticeably lacking in ballads. The truth is that Dizzy’s most, well, dizzying work is also his most memorable. On the other hand, he could make a slow number sing just as well as anyone. This relaxed session with guitarist Joe Pass, bassist Ray Brown, and drummer Mickey Roker is a case in point. Gillespie’s decorations of the main melody are tasteful and apropos, and his improvisation is cogent and profound, distinctively himself yet reverent toward the Joseph Meyer melody (and the spirit of Buddy Bernier’s lyric). His improv leading up to the out-head is more technically virtuosic and devil-may-care, but in this case it drips with that Dizzy Gillespie charm.

Listen to a Spotify playlist including most of the tracks in this JazzTimes 10:

 

Read Gary Giddins’ 2006 Cadenza column on Dizzy Gillespie.

Dizzy Gillespie: 1982 NEA Jazz Master

Originally Published

Michael J. West

Michael J. West is a jazz journalist in Washington, D.C. In addition to his work on the national and international jazz scenes, he has been covering D.C.’s local jazz community since 2009. He is also a freelance writer, editor, and proofreader, and as such spends most days either hunkered down at a screen or inside his very big headphones. He lives in Washington with his wife and two children.