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JazzTimes 10: Art Blakey and the Jazz Messengers

In honor of Bu’s 100th birthday, here are 10 of his best performances

7. “E.T.A.” (Reflections in Blue; Timeless, 1978)

The late 1960s and much of the ’70s found the lineup of the Messengers at its most unstable (as was, all too often, Blakey himself). Though they still recorded regularly, most of that output is out of print. Reflections in Blue, however, finds that neither Blakey nor the band have lost a step. “E.T.A.” is a composition by 25-year-old alto saxophonist Bobby Watson—on the chords of Coltrane’s “Lazy Bird,” with rhythmic accents reminiscent of “Giant Steps”—and a high-octane triumph for tenor David Schnitter, trumpeter Valery Ponomarev, Watson himself, and pianist James Williams (one of Blakey’s secret weapons). Blakey and bassist Dennis Irwin are no slouches either, holding down some feverish swing that gives neither any quarter. Shortly afterward, Blakey would take on the Marsalis brothers and see his reputation (and his receipts) skyrocket, but it’s not because this preceding band was any less incendiary.

Michael J. West

Michael J. West is a jazz journalist in Washington, D.C. In addition to his work on the national and international jazz scenes, he has been covering D.C.’s local jazz community since 2009. He is also a freelance writer, editor, and proofreader, and as such spends most days either hunkered down at a screen or inside his very big headphones. He lives in Washington with his wife and two children.