Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

Artist’s Choice Playlist: Anne Mette Iversen on Melody

Bassist shares her favorite tracks that illustrate the importance of melody in jazz

Anne Mette Iversen (photo by Dieter Duvelmeyer)
Anne Mette Iversen (photo by Dieter Duvelmeyer)

There is so much jazz theory about rhythm and harmony, but writing a good melody is more about intuition. It hasn’t been analyzed in the same way, and it’s difficult to teach someone to write a good melody. There’s an inner structure to these songs; they go places and develop. And there’s a level of storytelling to them. As a bassist, I think a great bassline is essentially a great melody—that playing a good walking line is identical to playing a good melody.

Steve Swallow
“SHE WAS YOUNG…”
Home (ECM, 1980)
Steve Swallow was my first bass hero. This song starts out with his solo, which to me is one long, almost perfect melody. It has such a natural sense of development to it, and it has so much infrastructure; it’s so organic that it seems like it could be written, but it’s obviously an improvisation. All of the compositions on this album are great melodies, and they’re all written to poetry [by Robert Creeley], which brings out the storytelling element.

Start Your Free Trial to Continue Reading

Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.
Originally Published