Chops: Drummers Go Off the Grid
Swing or play straight? Push or lay back? Not so long ago, decisions about groove were fairly straightforward, almost set-and-forget. Now look: Every groove can … Read More “Chops: Drummers Go Off the Grid”
Columns
Short, often opinionated pieces by JazzTimes’ editor and other trusted contributors.
Chronology: Big Bands of Brooklyn
It only makes sense that Brooklyn-connected big bands have proliferated in recent years, for the borough is stocked with underemployed world-class musicians who can easily … Read More “Chronology: Big Bands of Brooklyn”
What’s in a Name?
Recently we received a press release for a new recording by vocalist Mark Murphy called Hiding Place. We were excited to hear some new, perhaps … Read More “What’s in a Name?”
JT Notes: The New Abnormal
As I write these words, the United States is six months into the COVID-19 era, with no obvious end in sight. In his article “Welcome … Read More “JT Notes: The New Abnormal”
JT50: The July/August 1994 Issue of JazzTimes
The July/August ’94 issue was the first in which JazzTimes did a 1:1 interview with two prominent artists. Though new to us at the time, … Read More “JT50: The July/August 1994 Issue of JazzTimes“
Chronology: The Partnership of Larry Young and Woody Shaw
In the wake of Jimmy Smith’s breakout success, the Hammond B-3 roster circa 1960 included Jack McDuff, Jimmy McGriff, Don Patterson, Baby Face Willette, Freddie Roach, … Read More “Chronology: The Partnership of Larry Young and Woody Shaw”
JT Notes: What to Do About Live Reviews?
You may possibly recall that in a previous era (about six months ago as I write this), JazzTimes used to publish reviews of concerts and … Read More “JT Notes: What to Do About Live Reviews?”
Chops: Secrets of Orchestral Writing
Many jazz artists have written music for large ensembles, from nonets all the way up to big bands of 16 pieces or more. But precious … Read More “Chops: Secrets of Orchestral Writing”
Chronology: Old And New Dreams Stands Apart
From the late 1950s until the early 1970s, Ornette Coleman’s most euphonious music was the product of a unique group of like-minded geniuses. The style … Read More “Chronology: Old And New Dreams Stands Apart”
