My November 2018 was emotionally all over the place. First there was the crushing news of Roy Hargrove’s death (see our obituary; a more in-depth appreciation of that wonderful, and sorely missed, trumpeter by one of his closest friends will appear in our next issue). Then there was the excitement of tabulating our contributors’ votes for my debut year-end Top 50 list as JazzTimes editor (and it was exciting, even though the No. 1 new and historical albums were pretty much foregone conclusions).
And then there were the moments that put everything in wider perspective. The most memorable of those happened at the Village Vanguard on Nov. 13, as I watched pianist Marcus Roberts make his first headlining appearance at that club in 15 years, covering his 1990 album Deep in the Shed in its entirety. That disc, his second as a leader, doesn’t generally get great ratings, despite its distinguished supporting cast (including a certain E. Dankworth, a.k.a. Wynton Marsalis). But Roberts has continued to tinker with its material, recutting it in 2012 and using it as a training platform for his students at Florida State University. The way it sounds these days, you’d have to call it a career highlight.