I suppose you’ve noticed that this issue’s cover looks very much like a holiday card. Like many people, I find that as each year goes by, the holidays seem to contain more crass than Christ, but I have learned to embrace certain aspects of the commercial ritual. For example, I’ve become an expert on Christmas music projects, having a collection of nearly a thousand Xmas albums. Last year, I started a tradition of making a mix CD of some of my favorite holiday music and sending it out to friends and family, instead of a corny card or one of those obnoxious newsletters filled with barely concealed gloating. Among the artists on last year’s CD were John Scofield, NRBQ, James Brown and The Three Stooges. Connecting those dots sure was a lot of fun and helped to re-introduce the glee that I used to associate with the holiday season back when I was a kid. That visceral connection to the past is one of the holiday’s underrated pleasures.
Our cover artist knows all about Christmas and its connection to the past. I always feel like a big shot because I get a Christmas card from Mr. Tony Bennett, the vocal as well as visual artist. It turns out that I’m not so special. This is the 15th year that he has provided a painting to be used by the American Cancer Society for a holiday card that’s used as a fundraiser. Apparently, of the 25 or so cards they market, the card with Bennett’s artwork is perennially the top seller. Bennett says that his paintings for the cards do in fact come from the holiday season, albeit the year before. “My wife’s mother and father live in this tiny little town-there’s maybe 89 people in the town-called Clio in the Sierra Mountains. Every Christmas we go there and visit her folks and it’s beautiful. It definitely snows and it’s so scenic, it’s unbelievable, with thousands of pine trees and all that. So I paint there all week.”