Final Chorus: Duke Ellington Moves Into Public School Systems
Nat Hentoff on ‘Riding on Duke’s Train’
Over more than 60 years, Nat Hentoff (1925-2017) wrote about music, politics, and many other subjects for a variety of publications, including DownBeat (which he edited from 1953 to 1957), the Village Voice (where he was a weekly columnist from 1958 to 2009), the Wall Street Journal, and JazzTimes, to which he regularly contributed the Final Chorus column from 1998 to 2012. Of the 32 books that he wrote, co-wrote, or edited, 10 focus on jazz. In 2004, Hentoff became the first recipient of the National Endowment for the Arts’ Jazz Masters award for jazz advocacy.
Nat Hentoff on social media
Nat Hentoff on ‘Riding on Duke’s Train’
When the jazz family is suffering
How the non-profit JazzBoston creates new jazz generations
Nat Hentoff on New York Local 802’s efforts to improve benefits for jazz musicians
Nat Hentoff on “el Sistema” – an innovative approach to teaching music to young people
I recently received from the National Endowment for the Arts Jazz Masters 1982-2011, a large, handsomely produced history of the award that former NEA Chairman … Read More “NEA Jazz Masters No More?”
Nat Hentoff on the legacy of saxophonist James Moody
Nat Hentoff is excited about young trombonist
I’m too often startled by how much I’ve yet to learn about subjects I’ve covered throughout my life-for example, the blues. Along with writing sections … Read More “The St. Louis Blues”
Nat Hentoff on Mick Carlon and his approach to jazz appreciation for middle-schoolers
For 60 years I’ve been waiting for a book that has finally been published in England: Jazz Jews by Mike Gerber (Five Leaves Publications; [email protected], … Read More “Jews in the Family of Jazz”
Despite writing about jazz musicians for over 60 years, I am sometimes sharply reminded that I’ve essentially missed, or badly underestimated, a vital individualist. It … Read More “Vince Guaraldi: That Joyous Thing”
Nat Hentoff looks at how music has been used for torture and what musicians are doing about it.
A little exposure could go a long way, if only…
Is this innovative figure being forgotten?
When Phoebe Jacobs, longtime friend and associate of Louis Armstrong, says, “Don’t let anyone tell you Louis is dead because he’s not,” she’s not talking … Read More “Final Chorus: Jazz’s First Lady of Charity”
A lawyer I know began his jazz listening with the bebop of Bird and Dizzy, although he knew they had forebears whom he intended to … Read More “Final Chorus: Jazz Revelations for Baby Boomers”
In January, I was on a panel at Jazz at Lincoln Center. The subject, “Is Jazz Black Music?” is still a lively and even combative … Read More “Final Chorus: Is Jazz Black Music?”
More than the rest of us who write about jazz, Whitney Balliett’s words describing music often turned into music. Yet the last book he wrote … Read More “Final Chorus: New Finds for the Jazz Bookshelf”
From when I was too young to be allowed into Boston jazz clubs, there’s an enduring memory of sneaking into Downtown at the Ken and … Read More “Final Chorus: The Life Force of New Orleans”
During the so-called Great Depression, aware of my immersion in music, my father bought a small soprano saxophone for me in a pawnshop when I … Read More “Final Chorus: My Love Affair With the Clarinet”
The FBI is proposing a new computer-profiling system, STAR (the System to Assess Risk), that, as National Public Radio reported on July 17, will be … Read More “Final Chorus: Satchmo’s Rap Sheet”
As a teenager in Boston, one of my heroes-after Duke Ellington-was a fellow New Englander, Henry David Thoreau, who, as an unyielding abolitionist and opponent … Read More “Final Chorus: The Thoreau of Jazz”
I am grateful for the considerable response from readers to my June column, “Uncovering Jazz Trails.” My hope is that as local newspapers, radio and … Read More “Final Chorus: Expanding the Map”
Having known jazz musicians off the stand from my teens on, I was struck-contrasting with most of the adults I knew-by their dedication to their … Read More “Final Chorus: Bridging Generations”
Randy Weston can’t be mistaken for anyone else. As he once said, “I don’t like the electric piano because my sound is my voice, and … Read More “Final Chorus: Born in Israel”
The headline in Allegro, the newspaper of New York’s Local 802, American Federation of Musicians, heralded the presence of the jazz tribe: “over 8,000 educators, … Read More “Final Chorus: Uncovering Jazz Trails”
I first met George Wein in 1949, when he was a pianist working with the renowned Edmond Hall at the Savoy Café, Boston’s “Home of … Read More “Final Chorus: He Made Festivals Happen”
I expect that if anything I’ve written about this music lasts, it will be the interviews I’ve done with the musicians for more than 50 … Read More “Final Chorus: Playing Changes on Jazz Interviews”
I am greatly indebted to Thomas Bellino, whose Planet Arts-a not-for-profit company involved in a network of educational and culturally awakening projects-includes Planet Arts Recordings. … Read More “Final Chorus: A Complete Jazzman”