Bettye LaVette: Blackbirds (Verve)
No argument here if you thought Things Have Changed, Bettye LaVette’s 2018 tribute to Bob Dylan, deserved its two Grammy nominations, and perhaps even a … Read More “Bettye LaVette: Blackbirds (Verve)”
Mike Joyce
A former editor of JazzTimes, Mike Joyce has written extensively on jazz, blues, country, and pop music for The Washington Post, Maryland and Washington, D.C. public television stations, and other outlets.
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Monika Herzig: Eternal Dance (Savant)
Sure, there are more enticing ways to open a jazz album than by turning to “We Are the Champions” for inspiration. Yet pianist Monika Herzig’s … Read More “Monika Herzig: Eternal Dance (Savant)”
Tim Berne’s Snakeoil: Fantastic Mrs. 10 (Intakt)
Eager to run a fool’s errand? Try neatly summing up the nature and appeal of alto saxophonist Tim Berne’s music. If anything, the task is … Read More “Tim Berne’s Snakeoil: Fantastic Mrs. 10 (Intakt)”
Aaron Diehl: The Vagabond (Mack Avenue)
Move over, Jelly Roll Morton, George Gershwin, and Fats Waller. Make room for Sir Roland Hanna, Philip Glass, and Sergei Prokofiev. In keeping with his … Read More “Aaron Diehl: The Vagabond (Mack Avenue)”
Aaron Stroessner Quartet: Haymarket Station (Noray Eel)
A cure for the drudgery of commuting? Maybe not. But a visit to Haymarket Station is bound to provide welcome diversion for fans of jazz … Read More “Aaron Stroessner Quartet: Haymarket Station (Noray Eel)”
Lafayette Harris, Jr.: You Can’t Lose With the Blues (Savant)
Can’t lose? Well, not if you command a soulful touch and a wealth of resources, something that Lafayette Harris Jr., bassist Peter Washington, and drummer … Read More “Lafayette Harris, Jr.: You Can’t Lose With the Blues (Savant)”
Hal Galper Trio: The Zone: Live at the Yardbird Suite (Origin)
It’s not often that seasoned jazz musicians find one of their own recordings truly revelatory in hindsight. Yet here’s a striking example. As acclaimed veteran … Read More “Hal Galper Trio: The Zone: Live at the Yardbird Suite (Origin)”
Jay Leonhart: Joy (Sunnyside)
Pardon the cluster name drop, but in the ebullience of Jay Leonhart’s new release you can hear an imaginary gathering of 20th-century wits—Mose Allison, Willie Dixon, … Read More “Jay Leonhart: Joy (Sunnyside)”
Rez Abbasi: A Throw of Dice by the Silent Ensemble (Whirlwind)
When the German-Indian film epic A Throw of Dice arrived in 1929, it appeared to have everything going for it, including a cast of 10,000 … Read More “Rez Abbasi: A Throw of Dice by the Silent Ensemble (Whirlwind)”
Mat Maneri Quartet: Dust (Sunnyside)
Putting aside for the moment mention of chamber-jazz weaves, global influences, modal designs, and high-wire improv, what’s the most economical way to describe the performances … Read More “Mat Maneri Quartet: Dust (Sunnyside)”
Bill Frisell: Harmony (Blue Note)
Getting your hands on a new Bill Frisell CD is a bit like unboxing a gift from a good friend with great taste. So what … Read More “Bill Frisell: Harmony (Blue Note)”
Wallace Roney: Blue Dawn – Blue Nights (HighNote)
Let’s face it. Given what we’ve long known about his remarkable artistry and output, is it any wonder that Wallace Roney’s latest CD is worth … Read More “Wallace Roney: Blue Dawn – Blue Nights (HighNote)”
Jamie Cullum: Taller (Blue Note)
Recording for a legendary jazz label may be fraught with expectations, especially for a contemporary artist with unabashedly eclectic tastes. But at this stage in … Read More “Jamie Cullum: Taller (Blue Note)”
George Cables: I’m All Smiles (HighNote)
What a joy it is to find George Cables recording again following a series of potentially career-ending health issues. Clearly, as the title of this … Read More “George Cables: I’m All Smiles (HighNote)”
Vic Juris: Two Guitars (SteepleChase)
The title of Vic Juris’ latest release references one of the album’s chief strengths. Largely devoted to original, recently minted tunes, it’s brimming with tonal … Read More “Vic Juris: Two Guitars (SteepleChase)”
Bill Frisell/Thomas Morgan: Epistrophy (ECM)
Can devotees of guitarist Bill Frisell listen to Epistrophy without connecting a lot of dots? Not likely. Recorded live at Manhattan’s Village Vanguard and prominently … Read More “Bill Frisell/Thomas Morgan: Epistrophy (ECM)”
Caesar Frazier: Closer to the Truth (Savant)
Hammond B-3 vet Caesar Frazier and company offer listeners drawn to vintage jazz organ abundant relief with this album, clearly inspired by the keyboardist’s organ-combo … Read More “Caesar Frazier: Closer to the Truth (Savant)”
Mimi Fox: This Bird Still Flies (Origin)
Nothing humbles a jazz guitarist accustomed to playing a solidbody or archtop instrument quite like an acoustic flattop, even if it’s a top-tier Taylor cutaway. … Read More “Mimi Fox: This Bird Still Flies (Origin)”
Keiko Matsui: Echo (Shanachie)
If name-dropping were a crime, keyboardist Keiko Matsui would have a helluva time promoting Echo. The album features a string of well-known artists, including guitarist … Read More “Keiko Matsui: Echo (Shanachie)”
Sound Underground: The Power of Three (Tiny Music)
Audacious by nature? You could easily make that case for Sound Underground, given its lean and unlikely instrumentation—alto sax, trumpet, and guitar—and its stirring yet … Read More “Sound Underground: The Power of Three (Tiny Music)”
Pat Bianchi: In the Moment (Savant)
If you glance at the tracks listed here, you may be tempted to start out with two notable collaborations and one Willie Nelson-penned country classic. … Read More “Pat Bianchi: In the Moment (Savant)”
John Escreet: Learn to Live (Blue Room)
After an anthemic opener resounding with block chords and splintered beats, John Escreet toggles between form and freedom, composition and improvisation on Learn to Live. … Read More “John Escreet: Learn to Live (Blue Room)”
Barre Phillips: End to End (ECM)
First, the bad news: In the candid liner notes accompanying his latest (and, apparently, final) solo album, Barre Phillips tells writer Steve Lake that this … Read More “Barre Phillips: End to End (ECM)”
Open Land: Meeting John Abercrombie (ECM)
Given guitarist John Abercrombie’s recent passing, you may be inclined to view Open Land, a film by directors Arno Oehri and Oliver Primus, as something … Read More “Open Land: Meeting John Abercrombie (ECM)”
No Fast Food: Settings for Three (CornerStore Jazz)
If veteran drummer, arranger, and composer Phil Haynes is busy tallying lucky stars these days, it’s easy to hear why, thanks to a pair of … Read More “No Fast Food: Settings for Three (CornerStore Jazz)”
Bill O’Connell: Jazz Latin (Savant)
The latest release from pianist Bill O’Connell is generic in name only. In many ways, it’s a distinctly personal statement, inspired by the recent passing … Read More “Bill O’Connell: Jazz Latin (Savant)”
Adam Nussbaum: The Lead Belly Project (Sunnyside)
Aptly enough, this tribute to folk-music legend Lead Belly comes with 12 strings attached, albeit in a thoroughly modern jazz context. Eager to salute one … Read More “Adam Nussbaum: The Lead Belly Project (Sunnyside)”
The Nels Cline 4: Currents, Constellations (Blue Note)
Guitarist Nels Cline has always been a sucker for music that’s a bit mystifying—not easily described, transcribed or summarized. So no one should be shocked … Read More “The Nels Cline 4: Currents, Constellations (Blue Note)”
Jakob Bro: Returnings (ECM)
If Danish guitarist Jakob Bro needed a good reason to further explore some of the music he’s recorded in recent years while also breaking new … Read More “Jakob Bro: Returnings (ECM)”
Rez Abbasi: Unfiltered Universe (Whirlwind)
Art is shaped by nuance, guitarist Rez Abbasi asserts in the brief liner notes that accompany Unfiltered Universe, and the sentiment offers a clue as … Read More “Rez Abbasi: Unfiltered Universe (Whirlwind)”