Darius Jones: The Mastering of Musical Allegory
A musician who knows no category
A musician who knows no category
The red mandala-shaped image on the cover of My Brother suggests the introspective nature of the improvised set recorded by alto sax player Gary Hassay … Read More “Gary Hassay and Michael Bisio: My Brother”
‘On Fire’ on Engine Records
Ernest Dawkins, Harrison Bankhead & Hamid Drake pay tribute to Fred Anderson
Report on premiere of ambitious new work from trumpeter and composer at the REDCAT Performance Center in Los Angeles, Calif.
A 2011 winner of the Prešern Fund Award, the most prestigious cultural achievement award in Slovenia, Zlatko Kaučič is a masterful percussionist. In his recording, … Read More “Zlatko Kaučič: Emigrants”
The band Haunted House has no real history, except in its name, which, according to producer Kurt Gottschalk’s liner notes, originated in blues man’s Lonnie … Read More “Haunted House: Loren Connors, Andrew Burnes, Suzanne Langille, Neel Murgai : Blue Ghost Blues”
Sometimes, it is just easier to let the mind go and be “one” with music rather trying to analyze it. Such is the case with … Read More “The Spanish Donkey: Joe Morris, Jamie Saft, Mike Pride: XYX”
In his Chicago club, the Velvet Lounge, “Baba” (father) Fred Anderson made it a goal to keep the music so close to his heart going. … Read More “Harrison Bankhead Sextet: Morning Sun/Harvest Moon”
Alto sax player Rob Brown collaborated with pianist Craig Taborn and drummer Nasheet Waits in a live performance as part of the 2010 Sons d’Hiver … Read More “Rob Brown Trio: Rob Brown/Craig Taborn/Nasheet Waits: Unknown Skies”
Recorded in 1974 and originally released in 1977 on Northern Lights, Fifteen Saxophones brings to mind the era of minimalism which stretched from the mid-sixties … Read More “Dickie Landry: Fifteen Saxophones”
Characteristic of Riti Records is its minimalism. A recording’s package is more than likely sleek, visually monochromatic, and carries few words. The inference here is … Read More “Joe Morris and Agustí Fernández: Ambrosia”
The first for the label Harmonic Convergence to come in an edition of three hundred is Synchronicity by the trio, Survival Unit III. Joe McPhee … Read More “Survival Unit III: Joe McPhee, Fred Lonberg-Holm, Michael Zerang: Synchronicity”
James Falzone’s solo clarinet introduction of “These Foolish Things” to Other Doors invites the music to come. His quartet, Klang, includes vibist Jason Adasiewicz, bassist … Read More “Klang: James Falzone, Jason Adasiewicz, Jason Roebke, Tim Daisy: Other Doors”
Lyn Horton profiles the percussionist and bandleader
Borrowing from the idea of romantic song, otherwise known as classical German “lieder,” in Cosmic Lieder, alto sax player Darius Jones and pianist Matthew Shipp … Read More “Darius Jones/Matthew Shipp: Cosmic Lieder”
Taken from four hours of recording in a studio, the one-hour straight improvisation that is Montreal Parade by The Rempis Percussion Quartet is stunning. Reedman … Read More “The Rempis Percussion Quartet: Montreal Parade”
For any bandleader, it is a challenge to pull together a group whose members work well with each other, especially as an improvising unit. Polish … Read More “Joe McPhee, Mikolaj Trzaska, Waclaw Zimpel, Paweł Szamburski, Michael Górczyński: Lark Uprising”
The success of Jane Ira Bloom as a musician comes through her instrumental voice, which the soprano sax player uses eloquently in Wingwalker. She has … Read More “Michael Bisio: Travel Music”
Dedicated to his parents, Paul and Kathleen Bisio, who taught him “the Sound of Love,” bassist Michael Bisio’s first self-released Travel Music communicates the unique … Read More “Michael Bisio: Travel Music”
Lyn Horton interviews drummer about his life and his approach to improvisational music
Dedicated to his be-bopping drummer father and Sun Ra, Gerald Cleaver stretches contemporary musical modes in Be It As I See It with his band … Read More “Uncle June: Be It As I See It”
That Charles Tyler comes out of the school of Albert Ayler is a well-known fact. Listening to Tyler in his quartet on Eastern Man Alone, … Read More “Charles Tyler: Eastern Man Alone”
Art Lange’s nearly illegible liner notes for Three Kinds of Happiness promulgate copious speculation on the meaning of the music in the third release from … Read More “Locksmith Isidore: Jason Stein/Jason Roebke/Mike Pride: Three Kinds of Happiness”
In Blue Chicago Blues, recorded in 2007, the duo of tenor player Joe McPhee and bassist Ingebrigt Håker-Flaten balances out very well, in ethnicity, instrumentation, … Read More “Joe McPhee and Ingebrigt Håker-Flaten: Blue Chicago Blues”
Paying tribute to the population of New Orleans in the wake of hurricane Katrina which struck in August of 2005, the Andrew Lamb Trio recorded … Read More “Andrew Lamb Trio: New Orleans Suite”
The debut Betweenwhile from drummer Mike Pride’s quartet, From Bacteria to Boys, is a successful balance of the tuneful and the abstract, avoiding the “little … Read More “Mike Pride’s From Bacteria To Boys : Betweenwhile”
Leading the trio, Kihnoua, saxophonist Larry Ochs directs his interest to both literal and musical voices in Unauthorized Caprices. In more than one of the … Read More “Kihnoua: Unauthorized Caprices”
The continual intrigue of creative improvisation is the nature of the combination of instruments which the musicians choose. In Macroscopia, the quartet exists without a … Read More “Claire DeBrunner/Ken Silverman/ Daniel Carter/Tom Zlabinger: Macroscopia”
In his liner notes for Aerial Age, thirty-four year old Chicago percussionist Tim Daisy reveals the sources of his music with indisputable objectivity. His compositions … Read More “Vox Arcana: Aerial Age”