John Taylor Trio: Decipher (MPS)
Though the British pianist John Taylor played with a full slate of jazz greats including Charlie Haden, Lee Konitz, Jan Garbarek and Kenny Wheeler (with … Read More “John Taylor Trio: Decipher (MPS)”
Though the British pianist John Taylor played with a full slate of jazz greats including Charlie Haden, Lee Konitz, Jan Garbarek and Kenny Wheeler (with … Read More “John Taylor Trio: Decipher (MPS)”
Bass clarinetist Jason Stein is in a major comfort zone on Lucille! Named after his now 3-year-old daughter, the album features a pair of his … Read More “Jason Stein Quartet: Lucille! (Delmark)”
“I’ve always liked the idea of steering people away from the material we start with,” Tim Berne says in the press notes for Incidentals, the … Read More “Tim Berne’s Snakeoil: Incidentals (ECM)”
The first thing that strikes you about Signaling, an exceptional duo effort by alto saxophonist Nick Mazzarella and cellist Tomeka Reid, is its remarkable tonality—not … Read More “Nick Mazzarella and Tomeka Reid: Signaling (Nessa)”
Steve Coleman’s music has long been animated by a bobbing and weaving, thrusting and parrying dynamism. On Morphogenesis, the first recording by his drummerless Natal … Read More “Steve Coleman’s Natal Eclipse: Morphogenesis (Pi)”
Recorded in 2015 at Chicago’s Museum of Contemporary Art, as part of a celebration of the AACM’s 50th anniversary, this double album basks in powerful … Read More “Roscoe Mitchell: Bells for the South Side (ECM)”
With so many previously unissued trio recordings by Bill Evans crowding shelves and “the cloud,” it’s fair to ask whether another archival discovery adds anything … Read More “Bill Evans: Another Time: The Hilversum Concert (Resonance)”
Had Louis Hayes merely taken a leisurely stroll down memory lane in paying tribute to his former boss, Horace Silver, that would have been perfectly … Read More “Louis Hayes: Serenade for Horace (Blue Note)”
ECM’s sound chamber could hardly suit Dominic Miller better. On his first album for the label, the nylon-string, classical-style guitarist milks every note, thriving on … Read More “Dominic Miller: Silent Light (ECM)”
Twenty-five years before recording their new duo album, almost to the day, Aki Takase and David Murray recorded Blue Monk, on which they explore some … Read More “Aki Takase/David Murray: Cherry-Sakura (Intakt)”
Having immersed himself in Delta blues on his acclaimed 2016 album, Dark Was the Night, Cold Was the Ground, young tenor star Noah Preminger makes … Read More “Noah Preminger: Meditations on Freedom (Dry Bridge)”
Miles Okazaki doesn’t have an instantly recognizable guitar sound, such as Mary Halvorson’s, and though he has strong ties to Steve Coleman, having played in … Read More “Miles Okazaki: Trickster (Pi)”
Coming from most artists, an album like Chris Thile & Brad Mehldau would be considered a side project. But Thile, the virtuosic mandolin player/leader of … Read More “Chris Thile & Brad Mehldau: Chris Thile & Brad Mehldau (Nonesuch)”
Obbligato opens with a joke: Drummer Tom Rainey and company are in such a hurry to be “Just in Time” (on the Jule Styne classic) … Read More “Tom Rainey: Obbligato”
There’s such a sense of ease to Ulysses Owens’ third album as a leader, you know the 31-year-old drummer has strongly benefited from his work … Read More “Ulysses Owens Jr.: Onward and Upward”
It’s hard to imagine a more personal, or personable, modern take on soul-jazz tradition than “Octavia Minor,” the opening track on the sophomore album by … Read More “Matt Bauder and Day In Pictures: Nightshades”
When it premiered in Paris in 1913, Stravinsky’s The Rite of Spring (Le Sacre du Printemps) incited a riot, mostly for its shocking rewriting of … Read More “The Bad Plus: The Rite of Spring”
A stirrer of jazz and ethnic styles as an accompanist for such wide-ranging artists as Miguel Zenón, Rez Abbasi and Joel Harrison, drummer Dan Weiss … Read More “Dan Weiss: Fourteen”
For all the freedom from tradition contemporary clarinetists have gained, they frequently make it or break it artistically based on the quality of their sound. … Read More “Darryl Harper: The Edenfred Files”
Electric music is nothing new to Jeremy Pelt, two of whose mid-2000s efforts for MaxJazz mined the fertile possibilities of fusion. But with last year’s … Read More “Jeremy Pelt: Face Forward, Jeremy”
An intriguing study in variations, cornetist Taylor Ho Bynum’s Navigation features four different takes of the extended title tune by his excellent, closely knit working … Read More “Taylor Ho Bynum Sextet & 7-Tette: Navigation”
Jane Ira Bloom has always been a lyrical player, but on her first ballads collection, stripped of technical enhancements, this elite soprano saxophonist reveals new … Read More “Jane ira Bloom: Sixteen Sunsets”
“Frail as a Breeze,” the two-part song that opens cellist Erik Friedlander’s lovely tribute to his departed wife, might describe his own physical and psychological … Read More “Erik Friedlander: Claws and Wings”
Whether or not Marty Ehrlich was affected by the harsh reviews of The Long View, the boldly experimental 2003 recording by his Large Ensemble, this … Read More “Marty Ehrlich Large Ensemble: A Trumpet in the Morning”
The great country pedal-steel player Buddy Emmons had a serious brush with jazz (as witness his easy-swinging 1963 Verve album, Steel Guitar Jazz), but otherwise … Read More “Ellery Eskelin/Susan Alcorn/Michael Formanek: Mirage”
On Thwirl, Stephan Crump’s Rosetta Trio plays things a bit closer to the vest than they did on their sparkling previous outing, Reclamation. But they … Read More “Stephan Crump’s Rosetta Trio: Thwirl”
Bassist-composer Ben Allison puts together such great bands you can’t help but regret his tendency to record each of them only once. But with standout … Read More “Ben Allison: The Stars Look Very Different Today”
Harold O’Neal is a tough artist to pin down. Is he the stylish hard-bop reviver responsible for the well-received 2010 effort Whirling Mantis? Or the … Read More “Harold O’Neal: Man on the Street”
With these excellent albums, saxophonist Dave Rempis, an important musician-presenter in Chicago, launched his own Aerophonic label in June. The two-disc Phalanx captures wide-open live … Read More “Rempis Percussion Quartet: Phalanx”
John Hollenbeck has fashioned his share of attention-grabbing tunes, but few as compelling as “September 29th, 1936: Me Warn You,” a highlight of the Claudia … Read More “The Claudia Quintet: September”