Aaron Seeber: First Move (Cellar)
Aaron Seeber’s cymbals don’t mix—at least not in this mix. As presented in audio by the drummer himself and co-producer Kevin Sun, the ride and … Read More “Aaron Seeber: First Move (Cellar)”
Andrew Hamlin
Andrew Hamlin on social media
Norah Jones: Come Away With Me (20th Anniversary Super Deluxe) (Blue Note)
“Sweet,” said my friend Henry Boy, 20 years ago, “but she had no edge.” I chuckled, agreeing. We were young(er) and (in)secure in our hipness. … Read More “Norah Jones: Come Away With Me (20th Anniversary Super Deluxe) (Blue Note)”
Fergus McCreadie: Forest Floor (Edition)
Scottish native Fergus McCreadie ignites his new trio album with a flurry of precisely placed notes, rich harmonies in forest-fire motion. The pianist has stated … Read More “Fergus McCreadie: Forest Floor (Edition)”
Helge Lien Trio: Revisited (Ozella)
As pianist Helge Lien announces proudly in the publicity material, he put this album together as “a hybrid of studio- and concert-recordings. Miraculously, however, you … Read More “Helge Lien Trio: Revisited (Ozella)”
The Pucciarelli Group: Uplift (Ubuntu)
Giuseppe Pucciarelli is an Italian guitarist who got started playing his native folk music; his father bought him a classical guitar for his fifth birthday. … Read More “The Pucciarelli Group: Uplift (Ubuntu)”
Júlio Resende: Fado Jazz (ACT)
While not the first to mingle jazz streams with fado—the Portuguese tradition of passion, loss, and suffering in song—pianist Júlio Resende stamps a personal, powerful … Read More “Júlio Resende: Fado Jazz (ACT)”
Fred Hersch: Breath by Breath (Palmetto)
Sati, Hersch writes in his liner notes, is a word in the Pali language meaning “mindfulness” or “awareness.” The pianist’s meditations helped him through “this … Read More “Fred Hersch: Breath by Breath (Palmetto)”
Matthew Shipp: Codebreaker (Tao Forms)
Matthew Shipp’s new album (I’m guessing even he doesn’t know the number of this release) showcases solo piano, and liner notes, in the form of … Read More “Matthew Shipp: Codebreaker (Tao Forms)”
Reverso: Live (OutNote)
Mid-March, 2020. France is about to begin its first COVID-19 lockdown. Originally set for 15 days, it would end up lasting into May. Cellist Vincent … Read More “Reverso: Live (OutNote)”
Allison Miller / Jane Ira Bloom: Tues Days (Outline)
Jane Ira Bloom on soprano sax. Allison Miller on drums. Recorded remotely from each player’s home studios, because that’s 2021 for musicians. Five Tuesdays in … Read More “Allison Miller / Jane Ira Bloom: Tues Days (Outline)”
Jackie Kay: Bessie Smith: A Poet’s Biography (Vintage)
First published in 1997, now republished with a new introduction, Jackie Kay’s Bessie Smith unrolls less like a formal study of the singer and much … Read More “Jackie Kay: Bessie Smith: A Poet’s Biography (Vintage)”
Sean Gibbs: When Can I See You Again? (Ubuntu)
This U.K. quintet—Gibbs on trumpet plus tenor man Riley Stone-Lonergan, pianist Rob Brockway, bassist Calum Gourlay, and drummer Jay Davis—crashes into the opener, “Internal Conflict,” … Read More “Sean Gibbs: When Can I See You Again? (Ubuntu)”
Kevin Hays/Ben Street/Billy Hart: All Things Are (Smoke Sessions)
You can tell the heat of the trio by the laughter boiling over. Not in all cases, admittedly, but for this session, the exhortations and … Read More “Kevin Hays/Ben Street/Billy Hart: All Things Are (Smoke Sessions)”
Bill Evans: Behind the Dikes: The 1969 Netherlands Recordings (Elemental) / Bill Evans Trio: On a Friday Evening (Craft)
Bill Evans, like the shark (and like the shark in only this manner), emerged into the ethos fully and fundamentally formed. Part of the exhilaration … Read More “Bill Evans: Behind the Dikes: The 1969 Netherlands Recordings (Elemental) / Bill Evans Trio: On a Friday Evening (Craft)”
Bill Kwan: No Ordinary Love: The Music of Sade (Ikeda)
Bill Kwan flew through medical school at USC, hung out a shingle as a dermatologist, then decided in middle age to go for broke, for … Read More “Bill Kwan: No Ordinary Love: The Music of Sade (Ikeda)”
CODE Quartet: Genealogy (Justin Time)
The CODE foursome never find anything missing in “chordless” music; nor do they launch those wild, deep-cosmos explorations of many sans-piano free-jazz bands. They treat … Read More “CODE Quartet: Genealogy (Justin Time)”
Geoffrey Littlefield With Christopher Riddle: Nelson Riddle: Music With a Heartbeat (Grosvenor House)
At his peak, Frank Sinatra never seemed to make a bum call. He sang ahead of the beat, on the beat, behind the beat, rendering … Read More “Geoffrey Littlefield With Christopher Riddle: Nelson Riddle: Music With a Heartbeat (Grosvenor House)”
TuneTown: Entering Utopia (Three Pines)
Toronto trio TuneTown’s second album begins with what sounds like a loose drag across a snare: saggy tire chains, let’s say, spinning but failing to … Read More “TuneTown: Entering Utopia (Three Pines)”
Masabumi Kikuchi: Hanamichi: The Final Studio Recording (Red Hook)
You wouldn’t guess, from the distilled elegance enclosed here, that the pianist was sick, unsure of himself, so weary in body and mind that he … Read More “Masabumi Kikuchi: Hanamichi: The Final Studio Recording (Red Hook)”
Gary Bartz, Ali Shaheed Muhammad & Adrian Younge: Gary Bartz JID006 (Jazz Is Dead)
A dignified, though not quite refined, elder statesman for what was once dubbed the “New Thing,” Gary Bartz, at 80, finds himself at home in … Read More “Gary Bartz, Ali Shaheed Muhammad & Adrian Younge: Gary Bartz JID006 (Jazz Is Dead)”
Jazz Worms: Squirmin’ (Capri)
The Jazz Worms—Andy Weyl on piano, Keith Oxman on tenor saxophone, Paul Romaine on drums, Ron Miles on cornet, and Mark Simon on bass—haven’t cut … Read More “Jazz Worms: Squirmin’ (Capri)”
Yoko Miwa Trio: Songs of Joy (Ubuntu)
Bill Evans she isn’t, but Yoko Miwa conjures some of that same two-hand-chording majesty, sustain, and a sense of slowly stirring stars. She’ll let rip with … Read More “Yoko Miwa Trio: Songs of Joy (Ubuntu)”
Chris Potter: There Is a Tide (Edition)
I dove into this without checking the liner notes first, which left me gaping at the supple interplay between, and I quote, “piano, keyboards, electric … Read More “Chris Potter: There Is a Tide (Edition)”
Fred Hersch: Songs from Home (Palmetto)
Fred Hersch, who has calmly, sensibly, and passionately bequeathed us some of the most lyrical jazz of the past few decades, was lucky enough to … Read More “Fred Hersch: Songs from Home (Palmetto)”
Melody Gardot: Sunset in the Blue (Decca)
I found this facile on its surface at first—before realizing that seeking only surface, on a few spins at that, made me facile. That left smooth, … Read More “Melody Gardot: Sunset in the Blue (Decca)”
Hazar: Reincarnated (Immersive Audio Network)
The bass clarinet makes it for me. Hazar deserves mad praise first for his virtuosity on the saz (a lute-like Persian instrument), then for switching over … Read More “Hazar: Reincarnated (Immersive Audio Network)”
Peggy Lee: The Capitol Transcriptions 1946-1949 (UMe/Capitol)
“Norma Deloris Egstrom from Jamestown, North Dakota,” read the cover and the title of her last album for Capitol Records in 1972. Her real name … Read More “Peggy Lee: The Capitol Transcriptions 1946-1949 (UMe/Capitol)”
Jason Kao Hwang: Human Rites Trio (True Sound)
I sometimes keep listening to this record after it finishes. No, I’m not on those drugs you’re thinking of. But from my living room I can’t quite … Read More “Jason Kao Hwang: Human Rites Trio (True Sound)”
Kevin Whitehead: Play the Way You Feel: The Essential Guide to Jazz Stories on Film (Oxford University Press)
Billie Holiday got knocked down. But she got up again. Actually, she had to get knocked down and get up again several times, according to … Read More “Kevin Whitehead: Play the Way You Feel: The Essential Guide to Jazz Stories on Film (Oxford University Press)”
Christian Sands: Be Water (Mack Avenue)
“Empty your mind,” Bruce Lee said famously (by way of his friend, screenwriter Stirling Silliphant). “Be formless, shapeless, like water. You put water into a … Read More “Christian Sands: Be Water (Mack Avenue)”