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Dena DeRose


It’s no small accomplishment to be thought of as “The most creative and compelling singer-pianist since Shirley Horn”, but that’s exactly how Joel Siegel of the Washington City Paper described Dena DeRose. If she comes to your city and you want to catch the show, go early, because the room is going to be packed. She not only awes her audiences and music critics with her facility on the piano and her vocal talent but, as Richard Scheinin of the San Jose Mercury aptly put it, “… she exudes joy … what soul!”

Dena has accumulated an impressive list of performance credits. From the legendary clubs around the world like the Blue Note, Smoke and Jazz Standard in New York, the Kennedy Center Jazz Club in Washington D.C., the Pitt Inn and Body and Soul in Tokyo, The Jazz Showcase in Chicago, Marian’s in Bern, The Widderbar in Zurich, The Jazz Center in Istanbul, Shabul in Tel Aviv, and Alexander Platz in Rome, The Montmartre in Copenhagen, to major Jazz Festivals that include The Red Sea Jazz Festival in Israel, The Kansas City Jazz and Blues Festival, The Monterey Jazz Festival, The San Francisco Jazz Festival, Ancona (Italy), Estoril (Portugal), The North Sea and The Hague Jazz Festivals in Holland, The Floating Jazz Festival- Jazz Cruise (2005, 2007, 2008), Jazz Cruise through Alaska (2007), Jazz Baltica Festival in Germany, VinterJazz Festival in Denmark.

Dena always delivers “…vivid and often exciting demonstrations of how innovative her musical concepts are…” (Philip Elwood, San Francisco Examiner). Dena has brought that vitality and innovation to performances alongside the likes of Ray Brown, Clark Terry, Marian McPartland, Benny Golson, Benny Green, Jeff Hamilton, John Clayton, John Scofield, Gene Bertoncini, Deborah Brown, Jimmy Cobb, Tootie Heath, Butch Miles, Ken Peplowski, Phil Woods, David ‘Fathead’ Newman, Rufus Reid, Mark Murphy, Marvin Stamm and many, many others.

As a recording artist, Dena has 10 CDs as a leader to her credit, all of which have received superior accolades. Cadence Magazine gave her both their Album of the Year and Best Vocal Jazz Album awards for “Another World” and “I Can See Clearly Now”. Christopher Louden of Jazz Times says that the MaxJazz label “…takes another big leap forward” with the release of “A Walk In The Park”. It also received three Grammy considerations. Two recordings released in 2007 “The Nearness of Two” (GoFour), a live duo concert recorded in Ancona, Italy with trumpeter Marvin Stamm, and a group effort recording called “A Night in Claremont” (Vega) with drummer Akira Tana, bassist Ray Drummond, tenor man Dave Ellis, highlights DeRose as a pianist, composer, arranger, and vocalist. Dena’s Maxjazz CD’s – “Dena DeRose – Live at Jazz Standard Volume 1 & 2” (2007 and 2008) are considered to have one of the hippest rhythm sections in today’s jazz scene – drummer Matt Wilson and bassist Martin Wind – and have garnered Grammy Nominations. Live at Jazz Standard Vol. 2 has been chosen as one of the “Top 10 CD’s of 2008” by All About Jazz, Downbeat Magazine, and the JJA, among others. It was in the Top 50 on the Jazzweek radio charts for over 12 weeks with outstanding reviews such as Donald Elfmans’ who writes “DeRose has absorbed the best of the great ones while being her own well-defined self at all times”, and Chris Andrew Hovans’ “Top 10 picks for 2008” says “Of all the female Jazz vocalists out there, DeRose is the most versatile. This comes from the fact that she is an accomplished pianist and musician, not just a singer.” Dena’s most recent recording ‘Travelin’ Light’ for the Maxjazz label has garnered many fine reviews and been chosen on a number of ‘Best of 2012’ lists of online magazines, Downbeat Magazine (4Stars), and other European publications.

Astoundingly, Dena has also found time to hone her skills as a Jazz educator, and has been on the faculty lists at some prestigious education venues, including Manhattan School of Music, NYU, The New School, Long Island University, Purchase College in New York, and The Hartt School of Music in Connecticut. Ms. DeRose is currently tenured and the Head of Jazz Vocals at The University of Music and Performing Arts in Graz, Austria. Dena had also taught at the Prince Claus Conservatory of Music in Groningen, the Netherlands for the first 10 years of its existence. She frequently leads clinics and workshops at such prestigious schools and festivals as the Dave Brubeck Institute in Oakland, CA, The Jazz School in Berkeley, CA, Taller de Musics in Barcelona-Spain, NJPAC Jazz for Teens Program, the Stanford Jazz Workshop, The Litchfield Summer Jazz Camp, Jazz Camp West, and the Rotterdam Summer Jazz School, among others. She has served as a judge at both the Thelonious Monk Vocal Competition and served 6 years on the NJ Star Ledger Scholarship Awards.

In 2000, Terry Teachout of the New York Times wrote, “Dena DeRose sings Jazz as if she had been at it her whole life long, and then some”. He was closer to the truth than he might have imagined. Her mother heard her picking out melodies on a toy organ when she was three. She studied classical piano throughout her childhood, until she was enticed into the world of Jazz by playing Count Basie’s music in her junior high stage band. At 17, she found Doug Beardsley, the only Jazz teacher in hometown Binghamton, and started lessons. By the time she went to college, the passion for Jazz she now exudes was fully evident. She was performing anywhere she could, playing many styles of music, taking on private students, and practicing so many hours a day that sometimes she would sleep in her studio. To feed her insatiable Jazz appetite, she would slip away from campus and drive four hours to New York City to hear piano idols Hank Jones, Mulgrew Miller, Tommy Flanagan, and Kenny Barron. It is a rare music career that isn’t peppered with challenges and obstacles, and Dena’s is no exception-her Jazz fervor led her right into a case of carpal tunnel syndrome, aggravated by arthritis, which was severe enough to require surgery, and forced her to completely give up the piano. With her spirit and her livelihood both in jeopardy, in a club one night, someone dared her to get up and sing a song. She did it, she liked it, and so did the audience. Dena had not only found her ticket out of the physical predicament, but, two and a half years later when she had recovered enough to add piano back into the act, she also discovered that the singing had helped her add lyricism to her piano lines.

In 1991, she brought the whole package to New York. Some 10 years later, having never let up in the meantime, Dena’s talent began to be widely acclaimed. In addition to the Cadence magazine awards for her recordings, she was selected by Downbeat’s Critic’s Poll as 2002, 2003 and 2006’s “Artist Deserving Wider Recognition”, and All About Jazz anointed her as a “Jazz Artist of the Year” in 2003 and 2006, and “Best Jazz Album of 2007”. She has been featured on ‘Morning Edition’ and “Jazz Set” on National Public Radio, and three times on NPR’s “Marian McPartlands’ Piano Jazz” including the recent “30th Anniversary” show taped live at Dizzy’s Coca-Cola Jazz club in NYC.

As her renown spreads to the international scene, feature articles and reviews on Dena have been published in the New York Times, Downbeat, Jazz Times, LA Times, Seattle Times, JazzIz, Holland’s Jazz Podium, France’s Jazz Hot, Italy’s Ancona and JazzIt, and several others. Now, Dena is making Don Heckman’s (LA Times) prediction come true – that she “…has all the vocal skills needed to rise to the top level of her field”. She is in demand, her passion is stronger and more visible than ever, and she consistently delights her ever-growing worldwide audiences. Alan Bargebuhr of Cadence magazine succinctly summed up the reason why… simply – she is a “…stunningly talented pianist/vocalist.”