A varied and absorbing effort, XIAME’s The Shadow of My Soul (Traumton 4421; 53:21) utilizes the colors of many world rhythms and melodic forms for a spellbinding mix which builds upon last year’s debut effort. The five-person ensemble makes each note count, crafting minimalist, meditative arrangements like “Always Almost,” which finds Michael Rodach weaving a circular guitar web around vocalist Naja Storebjerg’s bittersweet lyric center. Compositions like “Hip People”- with its rattling, inside out samba beat, and dark funk bass growing below, build subtly. XIAME’s melodies thrive on contrast, like Storebjerg’s long-lined vocal versus a fast brasilbeat/Caribbean feel on “(I Will Be) On My Way” and the impossibly windy-sounding guitar set against Jorge Degas’ wordless vocal on “O Gallo.” “No Sense at All” showcases the group’s tricky sense of detail in fine fashion- just when you think its a straightforward, lanky funk, it breaks into a dreamy call-and-answer vocal harmony sequence. Repeat listens reveal hidden layers on this detailed, colorful album.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro