David Murray’s “Suki Suki Now,” a joyful slice of surging R&B on Murray’s recent Like a Kiss That Never Ends, also opens the World Saxophone Quartet’s 25th Anniversary CD, where it sounds fussy and flaccid in comparison. The WSQ disc is disappointing, especially after the success of last year’s Requiem for Julius, where the group seemed to have recaptured some of the zip, grit and sharp focus of its mid-’80s peak. Those qualities have vanished here, replaced by an immaculate yet constricting elegance in which the extremes of language that Murray employs to such exciting effect on his own disc have been refined into a set of mannered gestures (chief culprit: “The New Chapter”). There are some nice moments, notably the knotty, affecting lyricism of Oliver Lake’s brief “Netdown” and Murray’s beautifully understated arrangement of “Goin’ Home,” but mostly it’s a case of art giving way to artifice. This may be the new chapter, but the WSQ seem, at least temporarily, to have lost the plot.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro