The thrust of Wolfgang Muthspiel’s Solo (Material) is clear enough from the title, but one should never expect the obvious from this gifted Austrian. More than an unaccompanied recital, Solo is a multitracked affair involving acoustic and electric guitars and a smattering of fretless bass. In fact, “Glow” features only bass and recalls Jaco Pastorius’ mesmerizing work on Bright Size Life. But most of Solo finds Muthspiel on his main ax, taming a fast ostinato on “Tabla Groove,” paying homage to Jarrett on the three-part “Keith Suite,” downshifting from scattered uptempo lines to a heavenly ballad feel on pianist Aydin Esen’s “Beauty” (the only nonoriginal). “Center,” “Finally” and “Golden Rings” are strictly solo pieces, sans overdubs-the first two for electric, the third a virtuosic miniature for steel-string acoustic. “Bird’s Eye View” and “Waves,” two nylon-string cuts, have a jaunty, folk-classical flavor that brings Ralph Towner to mind. “Spiral,” an acoustic/electric track in a slow 3/4, references the country-blues dissonance of Bill Frisell and the distinctive lyricism of Joni Mitchell.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading
Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Kurt Elling: Man in the Air
Nate Chinen makes the argument that Kurt Elling is the most influential jazz vocalist of our time
Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro