Guitarist Willie Oteri doesn’t resort to Greg Howe’s flash but he does evoke the feel of the early jazz-rock sessions by the likes of Miles Davis and Tony Williams Lifetime on Sprial Out (DIW). Ephraim Owens has the Miles role and effectively fixes the musical landscape circa 1971. Initially Oteri offers a more languid approach that creates mood, something rather lacking among this column’s selection of CDs, with their in-yer-face anxiety to please. In many ways this album gets closer to the spirit of Miles Davis than the album by Children on the Corner, and like so many of the albums here suggest we are not so much in a brave new world, but the old one, only better understood.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading
Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Kurt Elling: Man in the Air
Nate Chinen makes the argument that Kurt Elling is the most influential jazz vocalist of our time
Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro