A commanding voice in the world of pop-jazz saxophone, Warren Hill breaks out of some of the smooth-jazz conventions on Love Life that have previously held him back. The album includes some of Hill’s most exciting and adventurous work to date, starting from the title track. This atypical arrangement proves a true modern romancer, with intriguing, flickering electronica and muted trumpet adding a unique counterpoint to Hill’s sensual long-lined playing. Hill turns another cliche, the modern Latin walk, on its head for “Mambo 2000,” which opens with melodrama, before sparking up into a rocking fireball, complete with dramatic horn chorus hits and searing rock guitar work surrounding Hill’s authoritative wail. Another surprise comes in the form of a straightforward, almost gospel-toned read of the Commodores’ “Easy,” which happily sucks the sap right out of the tune. Hill branches out into some equally interesting, if slightly less appealing, territory with the organic R&B feel of “Mister Magic” (which includes a rap vocal by Novacain) and the piano-rag noir frolic “Master Thief.” Hill does lapse back to the conventional for cluttered pieces like “Can’t Get U Out of My Mind,” and chooses to feature his own ragged vocals on a few pieces (“Olivia”‘s pretty piano-hook melody would benefit from the soaring pipes of a George Michael or Richard Marx type), but overall, Love Life shows a welcome shift in direction.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro