Living Colour never meant squat to me. The only Vernon Reid project that’s impressed this writer is Yohimbe Brothers’ Front End Lifter, his 2002 electronic-funk opus with DJ Logic. Most of the crew from that work returns as an entity called Masque for Known Unknown (Favored Nations), Reid’s first solo venture since 1996’s Mistaken Identity. The disc’s unsurprisingly a showcase for Reid’s flamboyant guitar heroics; his squeals and skronks call to mind Carlos Santana, John Scofield and Jimi Hendrix-all of whom merge technical mastery with soulfulness. Joined by keyboardist Leon Gruenbaum, bassist Hank Schroy and drummer Marlon Browden, Reid & Masque turn in a couple of superb renditions of what Reid terms “fractured standards” (Monk’s “Brilliant Corners” and Lee Morgan’s “Sidewinder”). Fuzzed-up and fluid, Reid’s playing is exhibitionistic, but it doesn’t overwhelm his adventurous bandmates’ contributions.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro