Any time Manolo Badrena applies hands to drums and mind to music some kind of magic is bound to occur, as it did in Weather Report and continues to do in the Zawinul Syndicate. Badrena’s touch is the sweet secret weapon, too, throughout Trio Mundo’s Carnaval (Khaeon). Badrena’s drum and percussion tracks keep up a porous and impelling groove, without overstatement. He occasionally sings and plays a sweet acoustic-guitar part, as on his proudly Brazilian tunes “Dale Calor” and “Raveena.” The underrated guitarist Dave Stryker, who writes most of the tunes here and plays with his usual taste, mines a lot of the same Rio-minded turf that Pat Metheny does in his gentler moments, and acoustic bassist Andy McKee keeps the proceedings on a solid grounding. Guest Steve Slagle also fits nicely into the easy-going groove, on sax, flute and Indian wood flute. A spare and unruffled outing that travels lightly and packs a punch, this world-jazz album also considers Indian references, as on the clearly McLaughlinesque closer “Raga.” Mostly, though, the band keeps tilting unabashedly toward the musical Mecca of Brazil, and who’s to complain?
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro