It’s a fine line between introspection and shoegazing, and trumpeter Tomasz Stanko straddles it well on his new disc, Lontano. Stanko is a difficult fellow to criticize. A Polish jazz leader for three and a half decades, Stanko has left an impressive body of work in his wake. On Lontano, his quartet continues the ideas that have served him well-airy constructions, pensive arrangements and a relaxed approach. Stanko’s is a patient kind of music, one that demands undivided attention. Yet the music is so quiet, so delicate, that at times it falls prey to its own preciousness.
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