A veteran of Broadway musicals and Eartha Kitt tours, drummer-composer Howee Gordon shows his range with The Gordon Project’s I Can See Heaven From Here (Koch Jazz KOC-CD-7874; 53:57). Gordon’s stage background comes across in witty, frothy pieces like “In the Mode,” a strutting, pounding takeoff on “In the Mood,” featuring cool keyboard doodles and trumpet blasts lighting the fire. He hits a pulsing, Rippingtons-like smooth jazz vibe on “Dunhill Blues,” and leads a bubbly, swinging journey on “The Charlatan,” buoyed by Jim West’s piano and Peter Anderson’s warm, wandering alto sax. Somewhat surprisingly, the weaker moments of this mixed collection are its vocal tracks. Featured crooner Elysa Sunshine, drenched in echo and reverb effects, is lost in the weird keyboards of “Moonbeams” and left adrift by the lyrics of “That Kiss,” which works much better as an instrumental. In its element, however, Gordon’s ensemble can kick back and rock-the tricky-timed, country-fried fusion “Howdy Blues,” for example, is worth the price of admission on its own.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro