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The Ganelin Trio: Ancora Da Capo

Alexander Kan’s liners do a good job of setting the stage occupied by these pre-perestroika musicians; he recounts scenes that read like LeCarre. And indeed the strongest impression of this music is its urgency. Cliched reflections about the tormented Russian anima are almost unavoidable, but the fact is that music has great immediacy for people in times of crisis; I have seen it in such unromantic settings as an RAF base on the eve of the Falklands gambit.

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