Vibist Terry Gibbs and clarinetist Buddy DeFranco have teamed up again, this time on 13 engaging charts written by Steve Allen and arranged by Gibbs. The style varies from energized Latin to lyrically romantic, but every track swings strongly because of the co-leaders’ mutual virtuosity and brilliance. Although most listeners, even rabid Allen fans, probably won’t recognize these songs, they have the feel and form of Great American Songbook classics, such as “Sleepy Old Moon,” an easy-moving melody written in ’40s swing style and enhanced by Tom Ranier’s piano. The pair’s time-tested ability to harmonize at breakneck speed without sounding frantically hurried is proven on “Mister Moon” and “Until I Left Chicago (I Never Had the Blues).” Gibbs’ legendary Uzi-speed mallets are showcased on “I Used to Think That I Was Crazy,” while DeFranco cuts loose on “Clarinet Lick.” Infectious syncopation from bassist Dave Carpenter and drummer Gerry Gibbs, Terry’s son, propels “Alabama Bound.” For a change in pace, there’s the relaxing “Lazy Days” and two lovely ballads, “One Little Thing” and “Nights in Madrid.” This one will please longtime swing fanciers and younger retro fans alike.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro