Sylvain Luc’s latest, Ambre (Dreyfus), has the accomplished guitarist of Basque descent alternating between strictly solo guitar pieces, performed on either nylon string or steel string acoustic guitar, and involved production numbers using layers of multitracked guitar parts. On Thad Jones’ “A Child Is Born” he plays chords on a nylon string acoustic while simultaneously laying down bass lines with his low E and A strings tuned down an octave (a la Charlie Hunter). On top of this he plays the familiar melody on a fretless nylon string guitar. “Omenaldi (Hommage)” is an intricate piece involving four separate guitar parts covering melody, chords, bass and percussion. He uses the same method of achieving a full-sounding guitar choir on his own “Folklore Imaginaire (Miss Moustique).” Luc’s overdubbed take on Miles Davis’ “All Blues” features some shimmering, jaw-dropping single note lines and provocative reharmonizations on top of the familiar grooving bass line. The unaccompanied pieces, like fingerstyle rendition of the French traditional song “Gentil Coquelicot,” reveal a player of uncommon virtuosity.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro