Like Ruby Braff, Russell Gunn also has a dark tone. But while Braff is coming straight out of Louis Armstrong, trumpeter Gunn starts his journey further downstream, assimilating the lessons of Nat Adderley, Freddie Hubbard and Wynton Marsalis. On his latest, Blues on the D.L. (HighNote), Gunn is working with a strong band that hits from the first note of the opening Blue Mitchell tune, “Sir John.” Guitarist Mark Whitfield generates much heat before Gunn takes a simple riff and, with a burr and a crackle, turns it inside out in a long series of variations. Pianist Orrin Evans is especially effective on the title track, playing a block-chord solo recalling Phineas Newborn Jr. and Milt Buckner. This is a band that obviously enjoys each other’s playing, and you can hear them shout encouragement and appreciation to one another throughout. Gunn’s half-valve moaning on Miles Davis’ “No Blues” and bassist Eric Revis’ hip, angular “J.D.’s Revenge,” featuring the fine tenor work of J.D. Allen, are among the many other pleasures of this in-the-pocket set of hard-bop blues.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro