As a tribute to one of Broadway’s favorite composers, clarinet player Richard Stoltzman will perform at Carnegie Hall on January 27th, playing a program of music composed by Leonard Bernstein. The concert, part of Carnegie Hall’s Family Concert Series, will focus on the way jazz rhythms differ from the rhythms of classical music. The program will of course include interpretations of tunes from Bernstein’s famous West Side Story score along with other Bernstein compositions. The concert will be conducted by Justin DiCioccio, chair of the Manhattan School of Music jazz department.
In addition to being a showcase for great talent, the Family Concerts at Carnegie Hall are a way for adults to introduce children to the world of jazz, classical and folk music. Each program begins with pre-concert activities geared towards kids such as story telling and intimate demonstrations from the concert performers. Tickets are five dollars and are available at the Carnegie Hall box office, by phone at 212-247-7800, or online at www.carnegiehall.org.
Related Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading
Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music’s best journalists and critics.
Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music’s best journalists and critics.
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes
Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro