Pa’lante (Palmetto) marks Ray Vega’s third outing as a leader, and it shows the lessons he learned working with the legends Tito Puente, Ray Barretto, Mongo Santamaria and Celia Cruz. This group features Vega’s Latin Jazz Sextet with solid support from saxophonist Bobby Porcelli, pianist Igor Atalita, bassist Boris Kozlov, drummer Willie Martinez and conguero Wilson “Chembo” Corniel. They start off with a tasty slice of Cu-bop, Duke Jordan’s “Flight to Jordan,” with its nod to the spiritual “Joshua Fit de Battle of Jericho.” This mambo with a bridge finds Porcelli playing with bite and Atalita laying down a fierce montuno behind the conga solo. Vega plays moody and impressionistic over his own “Miles Away,” and gets a pretty sound on flugelhorn for his lullaby “Melani’s Theme.” There’s an all too brief bata solo on “Primera Oracion,” and a danceable arrangement of Bird’s “Yardbird Suite.” Best of all is the arrangement of Coltrane’s “Acknowledgement” from A Love Supreme. Kozlov’s beautiful arco bass intro leads to some of the most out playing from the horns. It reminds us that much of this music has a spiritual connection.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro