Four years after its recording date, Randy Sandke’s Cliffhanger (Nagel-Heyer) is finally out, and does it swing. Mulgrew Miller, working with Sandke for the first (and, so far, the only) time, holds the piano chair. Peter and Kenny Washington make up the rhythm section; trombonist Wycliffe Gordon guests on the title track. Tenor saxophonist Harry Allen is outstanding on the nine out of 12 cuts on which he appears. Sandke splits his time between flugelhorn and trumpet, displaying a bright, brassy tone on the latter. Standards predominate, although the leader includes his minor-key swinger “One for Mulgrew,” his Blakey-esque, three-horn vehicle “Cliffhanger” and his lilting waltz “One Fine Day in May.” Save for “No Moon at All,” the tunes are all fairly common choices, but they smolder at every tempo, whether fast (“Limehouse Blues,” “Let’s Face the Music and Dance”), slow (“What’s New,” “I Fall in Love Too Easily”), or in between (“Come Rain or Come Shine,” “I Concentrate on You” and more). Some might find 72 minutes rather long for a standards-heavy program such as this, but the collective strength of the band makes the disc worthy of sustained attention.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro