The under-recognized B-3 veteran Gene Ludwig gets a fine showcase on Keep That Groove Going! (Milestone MCD-9319-2; 55:26). The headliners, however, are two blustery septuagenarian tenor saxophonists, Plas Johnson and Red Holloway, and this spirited session, produced by Bob Porter, also features stellar sidemen in drummer Kenny Washington and guitarist Melvin Sparks. Ludwig distinguishes himself as an old-school burner on the uptempo title track and Holloway’s waltz-time blues “Bretheren!” He provides the harmonic glue on a jumping rendition of Coleman Hawkins’ “Stuffy,” comping slyly behind the two-tenor tandem before breaking out for a stirring solo of his own, and he lays a velvety cushion behind Holloway’s robust tenor on a rhapsodic reading of the ballad “Serenade in Blue” before launching into his most dynamic solo on the recording. A cover of Arnett Cobb’s signature piece, “Go Red Go,” has Ludwig grooving steadily behind the raucous call-and-response of the two honkin’ kindred spirits. And if the blues is a proving ground then Ludwig passes with flying colors on Johnson’s slow moving “Pass the Gravy.” The organist provides his most dramatic accompaniment on the melancholy minor-key ballad “Cry Me a River,” which features a majestic, vocal-oriented reading on tenor by Johnson. And he blithely swings the two tenormen home on their casual, conversational reading of “Dream a Little Dream of Me.” It’s been nearly 40 years since Gene Ludwig recorded some Sonny Stitt sides for Prestige. Like Reuben Wilson, he continues to do his thing year in and year out without much fanfare. With his fine showing on this superb recording Ludwig should gain the recognition that has eluded him for a long time.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro