This Brooklyn-based organ trio outing is distinguished by Ed Withrington’s agile B3 lines and grooving left hand bass lines along with the supple, shifting, swinging undercurrent provided by seasoned drummer Andy Watson, a former sideman to Jim Hall. Moran is a competent player with a warm, inviting tone, good time feel and an ability to play through the changes. But George Benson or Pat Martino he ain’t. And if you’re going to dip into this organ group setting, that is ultimately who you are going to be compared to. Moran’s got command of his instrument alright, as he demonstrates on the up-tempo burner “Sensory Awakening,” but he just needs more killer instinct. And I could’ve done without the octave box on the opening track, “Papa George,” or the excess of chorus on “The Messenger.” For the most part he acquits himself nicely on his nine original compositions here, reserving his most individual statements and aggressive playing for the distortion-laced closer, “Shorter Steps.” But in a world of killer guitar players, particularly in the organ trio setting, you can’t be tame. Next time out, Nick needs to really bring it with more authority and swagger on every track.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro