Saxophonist/flutist Nelson Rangell explores the rich American musical landscape on My American Songbook (Vol. 1) (Koch), skillfully improvising through classics spanning a range of styles and finding new ways of presenting well-known songs. A Pat Metheny-esque intro launches the West Side Story classic “America,” here softened with flute as the lead voice. Soprano sax and music-box effects render Vince Guaraldi’s “Cast Your Fate to the Wind” delicate and dreamy, while cinematic strings provide a lush opening to the bluegrass tune “Freda,” which transforms into a sprightly dance track. Rangell gives “Billy Boy” a snappy, jazzy reading, exhibits his talent as a whistler on Hampton Hawes’ “Sonora” and combines “In the Wee Small Hours” and James Taylor’s “Don’t Let Me Be Lonely Tonight” in an intimate medley, bathing his lyrical sax lines in keyboard-produced atmosphere. Rangell closes the album with the anthemic “Don’t Forget Those Forgotten,” making a statement about the destitute. After this strong collection, I can’t wait to hear what Rangell does on Volume 2.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro