If you’re looking for toe-tapping pipe-and-slipper jazz, forget about Clouds (Libra) by the Japanese husband-and-wife team of Natsuki Tamura and Satoko Fujii. This free-improv session for trumpet and piano is beautifully played and recorded, and recalls the monumental Kenny Wheeler/Paul Bley duets. Tamura has worked to develop a highly personal sound, employing various new techniques and tonal resources, including growls, flutters, squirts and split tones. On the opening atmospheric “Cirrus,” Fujii plays prepared piano and reaches inside to pluck and strum the strings. She and Tamura end up speaking a private language, a kind of musical word salad. It’s mysterious, haunting and startling, and these two know how to play the space between the notes. The 16-minute “Cumulonimbus” is spare and sensitive, with dramatic gestures, spontaneous shifts and dynamic contrasts. Some of this music has a tonal center, even if there is no real key. “Stratus” features long tones played by solo trumpet, while “Cirrocumulus” is stately solo piano. The ominous “Stratocumulus,” with its rolling thunder in the bottom register, is like a storm coming in from across the lake.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro