This two-CD set compiles the great blues shouter’s mid-to-late ’50s and early ’60s recordings for the Savoy label. Following in the wake of Wynonie Harris, Roy Brown and Big Joe Turner, Brown scored his first hit in 1955 with “Don’t Be Angry,” which rose to No. 2 on the R&B charts and No. 25 on the pop charts. His husky, soulful baritone voice is featured here on everything from lowdown slow blues numbers like “Is It Really You?” sparked by Mickey Baker’s nasty guitar work, to “Shake, Rattle & Roll” sequels like “Open Up the Door” to lame-o novelty numbers like “Piddily Patter Patter” and “Goody Goody Gum Drop.” Nappy roars ferociously on “I’m in the Mood” (a tune later popularized by Bonnie Raitt), croons soulfully on “I’m Getting Lonesome” and wails with raw, gospel intensity on “The Right Time,” an original tune that Ray Charles later covered and hit big with. Some of the notable sidemen on these tracks include drummers Panama Francis and Connie Kay, saxophonists King Curtis, Budd Johnson, Sam Taylor and Al Sears, guitarists Baker and Sal Salvador, pianist Sam Price and bassist Milt Hinton.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro