Despite its unique, gothic-sounding name, the duo Markus Van Such (H.C. Markus on keyboards and David Van Such on saxophone and violin) treads little new ground on A Change in the Weather (Chartmaker CMR 1440; 47:29). If anything, the duo’s big, bright keyboard sound hearkens back to the early days of ’70s pop synthesizer composition. Markus and Van Such have an ear for hooky melodies like the George Benson-like “Spring Dance” and sweet, upbeat “Happy Go Lucky,” but couch them in ringy, hyper-synthesized arrangements. “The Merry Irish,” for example, sounds like a music-box version of a jig-especially when you factor in Barby Boarman’s sing-song vocals. The duo goes for an electronic Tangerine Dream-styled trance atmosphere on “Baxter’s March,” but kills the mood with a hyper pulse beat. The overall effect is so over-the-top bright, that it’s a bit grating. Markus and Van Such are clearly strong players (Van Such’s presence is especially emotive on the anthemic “The Innocent”), but could use a greater variety of textures to emphasize their skills.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro