DeFrancesco’s latest incendiary musical encounter finds him pairing off with veteran tenorist Marchel Ivery. Helping keep the burners turned up are drummer Andrew Griffith and guitarist Clint Strong, who provide more than their share of the excitement.
The album kicks off with “Blues Walk,” an uptempo 12-bar number that features burning contributions by all concerned-including plenty of interaction, typified by the way DeFrancesco supports Strong’s solo and then picks up and carries a motif into his own first chorus. “Scrapple From The Apple” and “Lester Leaps In” are equally energetic, while “Makin’ Whoopee” and “Hip Sippie Blues” groove mightily from start to finish. But these guys can also play slow and soulful, as they demonstrate on “Lover Man”; Ivery tenderly renders the melody and brings things to a conclusion with a masterful display of taste and phrasing. In terms of straight-ahead blowing, this is about as good as it gets.
Related Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading
Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music’s best journalists and critics.
Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music’s best journalists and critics.
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes
Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro