Ever hear of LeeAnn Ledgerwood? Too few nonmusicians have. Originally from Ohio, the Berklee grad has been working, recording and teaching (jazz piano and composition at the New School) in New York, and obviously battling the glass ceiling while spreading the gospel according to Bill Evans. Well, an upgraded Evans. Maybe that’s what makes her so unmarketable to ordinary jazz fans. She has more technique than she can hope to use. It spills out all over her new release, Walkin’ Up (SteepleChase), but it doesn’t intimidate her two young compatriots, bassist John Graham Davis (a former student of hers) and drummer Brandon Lewis. Nor does it stop her from choosing difficult material, including tunes by Wayne Shorter (“This Is for Albert”), McCoy Tyner (“Passion Dance”), Carla Bley (“Ida Lupino”), John Coltrane (“Lonnie’s Lament”) and Trane’s conception of Harold Arlen’s “Out of This World.” The balladic highlight is Tadd Dameron’s “If You Could See Me Now,” with a well-pitched solo by Davis. Very few have tried to record the Bill Evans-penned title tune; Ledgerwood disposed of it first take.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro