The concept is risky enough: Take an American saxophonist, and have him perform spontaneous music in a Japanese club with three Japanese musicians whom the American has never met. The only preconceived notion is to begin in the key of F (in deference to the club in which they performed: In F). While the idea of musicians improvising freely without any advance preparation is not new, it is still rare, and the results are sometimes spotty. Here, the cultural and linguistic barriers force the instrumentalists to communicate exclusively through music. The surprisingly successful results from the two long sets are fully documented on Tokyo in F.
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