Always a reflective, sensitive presence on both guitar and vocals, Jonathan Butler turns in a mellow, uplifting collection with The Source. The South African-born composer utilizes both his instruments to maximum effect here, crafting beguiling rhythms and textures on guitar, and stretching tender tenor vocals to emotional peaks, without melodrama. Butler’s lyrics are heart-laid-bare personal, and for the most part supported by equally evocative arrangements. “Love Doesn’t Matter Now,” for example, offers sad guitar touches in the mode of Sting’s “Fragile,” adding depth to lyrics, “I’ve been snowed on/rained on/blown over by the wind.” Butler’s vocal presence can also lift a frillier arrangement like “Anniversary” to a place where only the sentiment matters. Sample lyric: “Far from all the struggling years/the laughter shared, the lonely tears/Maybe now we’re standing on the edge/of a blessing yet to be.” Equally profound are instrumental statements made through the quiet swagger and deep-toned refrain of “Lake Vibes,” and gospel-African hybrid grooves of “Won’t Stop for Nothing.” “Shine a Light” even boasts a bit of womping Stevie Wonder soul vibe, reinforcing the undercurrent of optimism that continues as Butler’s hallmark.
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Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
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