Numerous jazz vibraphone players have emerged since Lionel Hampton debuted in the 1930s on this instrument that affords marginal flexibility for making distinctive statements. On his fourth album as leader, vibraphonist Jon Metzger follows the tradition, mixing it up with his sidemen to deliver ten ballads to blues originals. Playing vibes and marimba, Metzger uses a relaxed, swinging, single-line approach with two-mallets (sometimes shading with four). On his Musser vibes, Metzger varies mallet size and type, using small, hard mallets to create crisp, sharp-edged sounds, and larger mallets for plump, warm-toned expressions. Contributing to this agreeable 1996 date are lyrical pianist Keith Waters, bassist James King and drummer Tony Martucci. Best moments are Metzger’s marimba-piano duet with Waters on the light-swaying, sometimes lumbering, “Elephant Walk,” and “The L Bell,” a righteous swinger which offers Metzger’s engaging, blues-tinged, vibes solo behind Martucci’s shuffle rhythms. Metzger’s “inside” musicianship shines. So does his ability to compose attractive melodies, a talent that largely contributes to the success of this session.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro