In 2004, John Zorn and filmmaker Ken Jacobs collaborated on four nights of audiovisual improvisations at NYC’s Anthology Film Archives, a selection from which is presented on this bracing DVD. Jacobs uses a “Nervous Magic Lantern” to create strobing images that gradually bubble and morph, often resembling time-lapse close-ups of decaying fungus, molting bugs or churning human organs. Zorn, with Ikue Mori on laptop, crafts a responsive soundtrack. His clanging drones, restrained echoes and dense blasts of noise all seem to sprout directly from Jacobs’ throbbing imagery. The resulting mass of abstract art relentlessly attacks the senses (even the film’s opening titles warn off those prone to seizures), making this DVD an acquired taste. But for those so inclined, the work of Jacobs and Zorn is dense and enthralling, revealing new surprises with every viewing.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading
Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music’s best journalists and critics.
Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music’s best journalists and critics.
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes
Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro