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John McLaughlin/Remember Shakti : The Way of Beauty

East-West fusions are so common now that the idea of a British guitarist with a jazz-rock pedigree mixing it up with Indian classical musicians raises no eyebrows. But in 1975, when John McLaughlin debuted Shakti, the concept and the music itself were downright alien, especially in comparison to the Mahavishnu Orchestra, which McLaughlin had just disbanded. Here was McLaughlin sitting cross-legged, surrounded by Zakir Hussain’s tablas, L.Shankar’s Indian violin and Vikku Vinayakram on the ghatam, a bowl-like percussion instrument. McLaughlin had traded in his double-necked electric for an acoustic, found commonalities in places few had previously explored and, with his new cohorts, taken it all somewhere new. By 1977 it was over.

Remember Shakti, the reconstituted iteration of the group that came together in the late ’90s, is softer, more nuanced and less showy than its younger predecessor. From the earlier lineup, only McLaughlin and Hussain remain. U. Shrinivas on mandolin, V. Selvaganesh on kanjira, ghatam and mridangam, and vocalist Shankar Mahadevan fill out the group, and although the general approach has not changed radically, it’s a more mature Shakti showcased here in performance footage filmed in Bombay in 2000 and Montreux four years later. In interviews that supplement the live music, both McLaughlin and Hussain recall the bond they formed upon first meeting in the ’70s. They were, says Hussain, “like two minds, two thoughts, one action.”

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