There hangs about this recording something of the air of art song. This stems in part from the voice and piano settings that carry a quarter of the selections-but even the ensemble pieces have an arranged quality, a deliberate drama that only the most sensitive musicians can sustain. Fortunately, that is very much the case here. Merrill’s beautifully pitched, declamatory style plays elegantly against the piano stylings of Masabumi Kikuchi and Torrie Zito, who composed two pieces heard here for which Merrill provided lyrics. They are complemented on the rhythm end of the equation by Charlie Haden on bass and Paul Motian on drums, and on the melodic end by Tom Harrell on trumpet and flugelhorn. When they roll into a more relaxed groove, as on “I Want to Be Happy” and the title track, the session comes into true focus.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro