Tenor saxophonist Harold Ashby, best known for his work with Duke Ellington in the late ’60s to mid ’70s, leads a quartet here with pianist John Hicks, bassist Keeter Betts, and drummer Jimmy Cobb. Ashby’s heard to best advantage on ballads and moderate tempoed tunes, displaying his full, breathy tone; he’s quite reminiscent of Ben Webster. On the faster selections, such as “Stampash”, he sounds shaky. He’s contributed some attractive originals, including “Reminiscing” and “Just for You,” to the date, though.
The laudable Hicks normally plays with more modern musicians than Ashby, but adjusts nicely and turns in some swinging, intelligent solos of his own. Betts and Cobb move things along smoothly and unobtrusively.
Related Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading
Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music’s best journalists and critics.
Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music’s best journalists and critics.
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes
Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro