Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

Geri Allen

Geri Allen
Geri Allen

You’d drive right past Geri Allen’s home in semi-upscale suburban Essex County, N.J., if you weren’t looking for it. A high row of hedges separates a wooden fence from a busy local street, with only a number on the front gate breaking the anonymity. Once on the property, you’re greeted by a thick-bodied white dog that appears to be a mix between a retriever and a pit bull. He may look fierce, but his girth is greater than his growl. In the weathered blue front door someone has left their business card as the “head scooper” of a “professional dog waste cleanup” service whose slogan is “they poop, we scoop.”

The side yard of the home includes a collection of childrens’ swings and slides that would be the envy of most neighborhoods. A short stroll away from such upscale stores as Williams-Sonoma, this area of soccer-mom-rich Montclair likes to differentiate itself from the rest of the town with the prefix “Upper.” The designation not only indicates its geographic location on South Mountain but also offers a clue to the price range of its homes in the low seven figures.

Geri Allen and Wallace Roney’s house, with its lived-in yard and visitor-friendly dog, is a bit more downscale than the rest of the area. On this late-summer’s day, most of the furniture on the home’s first floor is missing in preparation for the painters, while a small air conditioner runs at full blast. Allen’s music room/study off the main floor is packed to the hilt with a piano, drum set, computer and sheet music.

Allen and Roney are engaged in the ultimate juggling act: raising their three children, Barbara, Wallace and Laila, in as normal a suburban setting as possible while also maintaining full-time careers as jazz musicians. Allen credits family with helping to hold things together, always available to help out when necessary.

“My focus is my children and my husband. My husband and my children,” said Allen, who also commutes to an associate professor’s post at the University of Michigan just outside her native Detroit.

“This summer for me was really great because I had a chance to consistently spend the whole summer with my children because Wallace was out on the road with McCoy Tyner,” she said. “One of us always tries to be here. If he is gone then I’m here, or vice versa. It really was wonderful, because I got to hang out with them every day. We went swimming and they were doing gymnastics programs. The children had breakthroughs musically. They were in the music program up at UMass [Amherst] for the summer [where Allen was teaching master classes with the likes of Billy Taylor, Sheila Jordan and John Blake], along with the one here [in Montclair]. It was so much fun watching them discover music…we never wanted to push it on them. If they wanted to do it, OK. If they didn’t, OK. Although we could hear they had talent. It was important not to put that pressure on them. They found it themselves this summer, and it was really kind of fun to watch them thinking about practicing and getting on the stage to perform.”

When pianist Allen wasn’t teaching and minding the kids, she was working on her latest extended work, “For the Healing of the Nations,” a 9/11-themed piece commissioned by Meet the Composer Foundation and the Walt Whitman Arts Center that debuted Sept. 10 in Camden, N.J. That piece and Timeless Portraits and Dreams, her latest Telarc album, have seen her absorbed in exploring various religious texts over the past year.

Raising the children and maintaining careers “is what it is. I know whatever parents are out there will understand that,” Allen laughed. “We put one foot in front of the other and we try as much as we can to be organized, but a lot of the time we’re improvising to figure out how we [can] make this happen. The way we look at things, they’re first. And then we find our way around not having to disrupt them.”

The suburban setting approximates the upbringing the two musicians had in Philadelphia and Detroit, while the proximity to New York, some 20 miles away, keeps them in touch with the cultural scene, Allen said. “I love New York. Every time I go back…the flashes come back: the walking around the city, the whole thing of learning the trains, really having paid the New York dues, so to speak, of really being a New Yorker,” she says. “I love all that about the city…it’s in me. But I’m really, really happy to be here, in a place where I can feel very kind of relaxed, the way that I grew up in the mid-west. I’m a Midwest kid from Detroit. We had a backyard…the kids growing up around us. That whole thing for me is really important…and Wallace, too. [Him] coming from Philadelphia, the feeling of continuity [is important].

The Personal File

Start Your Free Trial to Continue Reading

Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.
Originally Published