This date from the early ’60s offers interesting examples of tenor saxophone directions at that time. Ammons was aware of what was contemporary. Ammons had a famous father, of course, and he sounds better and more relaxed with just a rhythm section on three titles than on the others with a nine-piece band playing Oliver Nelson arrangements. The pianist in that rhythm section was the excellent Patti Bown, who is not remembered often enough when the roll of talented jazz ladies is called. It is a shame she has not been heard from more often.
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