In jazz of the new millennium, demarcations between genres are being breached as never before. To cite just one instrumental category, think of all those gifted European pianists who spent their youths in classical conservatories before they embraced jazz: Stefano Bollani, Amina Figarova, Stefano Battaglia, Joachim Kühn. Their emergence has newly reinvigorated that discredited concept of the ’60s, the “third stream.” On paper, Francesco Tristano looks like he might be added to the list. He is 26, born in Luxembourg, a resident of Barcelona, educated at Juilliard, conversant in Bach and Vivaldi and Scarlatti, and interested in jazz improvisation and electronica.
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