Fillmore Slim could get over with blues fans anywhere. On Other Side of the Road (Fedora 5016; 42:38) the guitarist boasts one of the raunchiest tones since Johnny Guitar Watson and he sings with the rough-hewn authority of a sanctified preacher. An itinerant bluesman-born and raised in New Orleans, relocated to San Francisco in the mid-’50s, did a five-year stretch in a federal penitentiary in Texas-he’s worked under a variety of names, including Tailbone Slim, Clarence “Guitar” Sims and Fillmore Sims. He performs with passion and fire on insightful originals like “Call 911,” “Kicked Out,” “The Girl Can’t Cook” and the raucous, shuffling “Pretty Baby.” His New Orleans roots come out on the jazzy shuffle “Louisiana Scat” and a funky rendition of the Dave Bartholomew classic “Blue Monday,” a hit in the ’50s for Fats Domino. A welcome return to the scene by the wily blues veteran.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading
Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music’s best journalists and critics.
Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music’s best journalists and critics.
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes
Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro