Perhaps even more than most jazz musicians, tenor saxophonist Peter Brotzmann thrives or dives depending on the type and quality of his collaborators. For example, a band like his Chicago Tentet, which is packed with a couple too many crass noisemakers, dilutes his impact. I prefer the Brotzmann I hear on records like The Bishop’s Move (Victo), a cooperative venture by the Evan Parker Trio and the Peter Brotzmann Trio. Recorded live at the 2003 Victoriaville Festival, the album consists of a single 73-minute improvisation by Brotzmann’s group (with bassist William Parker and drummer Hamid Drake) and tenor/soprano saxophonist Evan Parker’s (with pianist Alex von Schlippenbach and drummer Paul Lytton). Each saxophonist seems to move somewhat in the direction of his opposite: Parker adds a little Ayler-ish madness to his hyperarticulate style, and Brotzmann’s lines are more well-defined than they can be in other circumstances. The percussionists work great together, and von Schlippenbach is superb. William Parker shines as well. The performance is nicely varied, exciting and thoughtful-an excellent record all the way around. Brotzmann should play with guys this good all the time.
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro