Good Morning Susie Soho peaked on the Swedish pop album chart at 15, above the likes of Whitney Houston, Britney Spears and Pearl Jam, yet was named album of the year for 2000 by the critics in the British magazine Jazzwise. At the same time, Svensson was on the covers of two German jazz magazines, was the cover feature, along with Jacky Terrasson, in the French magazine Jazzman and was hailed by the German news weekly Der Spiegel as the future of jazz piano (together with Brad Mehldau). Clearly then it’s not unreasonable to suggest that this album is making waves across Europe. That the cutting edge can live on without necessarily inhabiting volatile experimentation is hardly new, and Svensson’s trio, while darkly lyrical, is also fiercely contemporary.
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