Now nearly 82, Duke Jordan is reliving the bittersweet memories of an expatriate in Copenhagen (poor health keeps him away from his keyboard). There were a few lows in Scandinavia in the ’60s, but nothing could compare to the humiliation of driving a cab for a living in New York in the ’50s. As for highs, what could compare to being hired by Charlie Parker for Bird’s fabled 1947 band? Next to that, the big comeback in Scandinavia starting in the ’70s, where Jordan played with a who’s who of rhythm sections-among them this one with bassist Wilbur Little and drummer Dannie Richmond for a live 1978 club date in Høvikodden, released as Flight to Norway (Steeplechase). The recording includes the usual problems: drums too loud; bass too soft. Jordan is just right, and that’s all that matters. He was always just right: tasteful, melodic, harmonically creative; swinging with restraint and elegance; and quoting other tunes not to be cute but because it lent continuity. Highlights: “I Should Care,” his original “Jealous Blues” and the brief reference to his signature sign-off, “Jor-du.”
Originally PublishedRelated Posts
Sonny Terry/Brownie McGhee: Backwater Blues
Start Your Free Trial to Continue Reading

Jonathan Butler: The Simple Life
Jonathan Butler’s optimistic music belies a dirt-poor childhood growing up in a South Africa segregated by apartheid. Live in South Africa, a new CD and DVD package, presents a sense of the resulting inner turmoil, mixed with dogged resolve, that paved the way to his status as an icon in his country and successful musician outside of it. Looking back, the 46-year-old Butler says today, the driving forces that led to his overcoming apartheid-the formal policy of racial separation and economic discrimination finally dismantled in 1993-were family, faith and abundant talent.
“When we were kids, our parents never talked about the ANC [African National Congress] or Nelson Mandela,” he says. Butler was raised as the youngest child in a large family. They lived in a house patched together by corrugated tin and cardboard, in the “coloreds only” township of Athlone near Cape Town. “They never talked about struggles so we never knew what was happening.”
Start Your Free Trial to Continue Reading
Harry Connick, Jr.: Direct Hits
Two decades after his commercial breakthrough, Harry Connick Jr. taps legendary producer Clive Davis for an album of crooner roots and beloved tunes

Scott LaFaro
Previously unavailable recordings and a new bio illuminate the legend of bassist Scott LaFaro